It is easy to dismiss Stainer’s Crucifixion as the epitome of English musical disfunctionality in the nineteenth century. Yet, over years after its premiere at . 1 Music files. Complete work; Individual movements. 3. Processional to Calvary (Fling wide the gates); Hymn: Cross of Jesus. Founded in , the Huddersfield Choral Society has long been a major part of the town’s vibrant musical tradition. Under a succession of distinguished.
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While Haydn, Mozart and Beethoven had rapidly become staples of the orchestral, chamber and instrumental classical canon, music for religious purposes had been somewhat stifled ever since the Puritan tirades against liturgical jojn theatrical music. His good works must have been well noted in jhon places as in he was made principal of the National Training School for Music and his generous offices were rewarded by Queen Victoria in with a Knighthood.
Particularly significant in the overall scheme of The Crucifixion are the five hymns, which are designed for congregational participation. Gramophone’s expert reviews easier than ever before.
Once again his administrative and scholarly skills were employed to great effect and he retained the post for a decade, retiring in His edition of Early Bodleian Music is recognised as the earliest attempt by an English scholar to investigate music before the great Renaissance figures of Palestrina, Lassus, Victoria and Tallis.
Skip to main content. And when they were come Bass The mystery of the divine humiliation Recitative: Stainer was born into a family of modest means in Southwark on 6 June and was taught organ from an early age by his schoolmaster father.
The stainsr of Handel neatly side-stepped these issues by being neither liturgical in initiation nor purely theatrical in conception. As to the forces: Later in life, he was ever keen to acknowledge this period as of the utmost significance in his musical development.
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The Crucifixion (Stainer, John)
Two years later, staine died of heart failure, on 31 March, whilst holidaying in Verona. Hyperion offers both CDs, and downloads in a number of formats.
The structure of The Crucifixion is inspired by J. Arrangements and Transcriptions Procession to Calvary No. His oratorio, Elijahcomposed for the Birmingham Festival inand now with an English te, further endeared him to the British public and helped re-invigorate English composers into moving toward the European mainstream.
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The Crucifixion (Stainer, John) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music
This template was set before Victoria became monarch and Handelian oratorio, rather than opera, was setting the musical pulse of the nation. Contents 1 Performances 1. Instead they were regarded as merely sacred and dramatic, which seemed even to please everyone, even many a hard-line Nonconformist.
Too often in this piece I hope for a bar or two of Mendelssohn, something momentarily inspired. Sacred oratorios ; Oratorios ; Religious works ; For 2 voices, mixed chorus, orchestra ; For voices and chorus jihn orchestra ; Scores featuring the voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; Scores featuring mixed chorus ; Scores featuring the orchestra ; English language ; For organ arr ; For 1 crucigixion ; Scores featuring the xrucifixion.
Of these, Cross of Jesus must be counted amongst the finest of all hymn-tunes.
He also introduced weekly choral celebrations of communion and processions while providing adequate rehearsal time to cope with an expanded and enhanced repertory. While Great Britain was making the running in most of the arts and crafts, music seemed barely to be on the agenda—at least so far as home-grown cruclfixion was concerned.
After this, Jesus knowing that all things were now accomplished Tenor For the love of Jesus.
John Stainer – The Crucifixion | Clare College Choir
At the time there was no such piece. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. These file s are part of the Werner Icking Music Collection. As a founder member of the Musical Association, President of the Royal College of Organists and many other professional bodies, and co-founder of august societies and institutions such as the Oxford Philharmonic Society and the Associated Board of the Royal Schools of Music, he worked tirelessly for the improvement of music appreciation and education, and enhanced standards throughout the country as a whole.
This is hardly to say that the British Isles were not awash with great music—they certainly were, but little of it was indigenous. Work Title The Crucifixion Alt ernative. Bach, the scheme of arias recitatives, choruses and chorales hymns reflecting that of the St John and St Matthew Passions. Retrieved from ” http: On the one hand there is the school of thought exemplified by this excoriating critic, writing back in When Jesus therefore saw his mother Recitative: This was the musical scenario into which John Stainer was born and bred: A s organist, conductor, composer, teacher and author, the immense contribution that Stainer made to the music of his time can scarcely be over-estimated.
He was an Oxford Professor, a general inspector of music education and held presidencies of several professional bodies.