Among Palestrina’s or so motets, Exsultate Deo has always been a favourite. With its joyous tunefulness and vivid word-painting depicting musical. Exultate Deo. composer. Giovanni Pierluigi da Palestrina (/). Motettorum quinque vocibus liber quintus, author of text. Bible. Psalm 80 ( 81): From the fanfare-like opening of Exultate Deo and its soul-mates by Viadana, Gabrieli, Byrd and Monteverdi, through the linear beauties of Ave verum corpus ( as.
|Published (Last):||4 October 2018|
|PDF File Size:||5.77 Mb|
|ePub File Size:||2.54 Mb|
|Price:||Free* [*Free Regsitration Required]|
Romantic Evening Sex All Themes. This recording was made one hundred years after the foundation stone of the Westminster Cathedral was laid and is a testimony to a century of conservation and innovation in the performance of music within the Roman Catholic liturgy. In this case, Palestrina witholds his musical gesture, at first spinning out a series of palestrima imitative motives, and finally reaching a strong homophonic conclusion as all voices palesrtina the solemnity.
Palestrina GPd – Exsultate Deo | The Choir of St John’s College, Cambridge
Buccinate in neomenia tuba, insigni die solemnitatis vestrae. O quam gloriosum is an integral part of Vespers for All Saints, the Miserere complements the sombre drama associated with Lent, and so on. Masterpieces of Sacred Polyphony.
Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
Exultate Deo – Hyperion Records – CDs, MP3 and Lossless downloads
Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
The context of the English music recorded here is curious. Introduction English The dates which musicians use to delineate historical periods are frequently misleading.
Don’t show me this message again. Hyperion offers both CDs, and downloads in a number of formats. He certainly knew, and participated in, the growing sixteenth century tradition of the Roman madrigal. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Jazz Latin New Age. The Cambridge SingersJohn Rutter conductor.
A Capella from Saint Thomas Church. With its joyous tunefulness and vivid word-painting depicting musical instruments, it refutes the inaccurate myth of Palestrina as a cold, bloodless master of abstract polyphony, a myth due in part to the reverence surrounding him even in his lifetime and to the use of his music ever since as a model in the teaching of counterpoint, an unfortunate fate indeed for a composer whose music, at its best, leaps off the page and demands the excitement of performance.
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
Drinking Hanging Out In Love. Triumph in God, our helper: The function of church music deoo to adorn a living liturgy. Introspection Late Night Partying.
Though Giovanni Pierluigi da Palestrina was known both in his own time and in ours as a preeminent composer of sacred music, he was not unaware of other trends.
Palestrian his motet Exsultate Deo, Palestrina infuses his straightforward musical structure with subtle yet clear motivic evocation of the text. Exultate Deo Masterpieces of Sacred Polyphony.
Hyperion offers both CDs, and downloads in a number of formats. The percussion instruments mentioned in verse 2a may plestrina suggested this phrase’s more syncopated motive, and the psaltery evoked in verse 2b sounds in more arched melismatic writing.
Palestrina GPd – Exsultate Deo
Rainy Day Relaxation Road Trip. All performed by the Cambridge Singers at their sensuous and virtuosic best. February Total duration: Right at the outset, he breaks one of the apparent “rules” of his own melodic style and follows an upward leap on the word “Exult!