May 8, 2020

Johann Sebastian Bach – Composer – Goldberg Variations BWV (Sitkovetsky version) – Music Sales Classical. The Russian-born violinist Dmitry Sitkovetsky, who founded the New European Strings Chamber Orchestra in , has enthusiastically. View credits, reviews, tracks and shop for the CD release of Goldberg Variations on Discogs.

Author: Zukasa Tara
Country: Grenada
Language: English (Spanish)
Genre: Art
Published (Last): 7 May 2014
Pages: 343
PDF File Size: 3.66 Mb
ePub File Size: 4.98 Mb
ISBN: 350-3-90556-347-3
Downloads: 55385
Price: Free* [*Free Regsitration Required]
Uploader: Mek

Voici ce que relate Forkel dans sa biographie: In variation 5, Sitkovetsky resists the temptation to sitkkvetsky a third part, while the two-part texture of variation 6 is cleverly redistributed between the three instruments—leaving it as a two-voice jig—as it is in variation I cannot imagine more gripping accounts. A new recording project with Lukas Geniusas is in the works, as an homage to Fritz Kreisler and Sergei Rachmaninov, one of the most legendary duets in the history of classical music.

This performance, marking the 25th anniversary of the festival, was broadcast worldwide on Medici. Please try again later.

Hyperion Records

As a master of transcribing his own music for different instrumental combinations, the arrangement of the Goldberg Variations by Dmitry Sitkovetsky for string trio is an idea that would surely have appealed to the composer. The site is also available in several languages.

The slow numbers breathe and sing. Inhe founded the New European Strings orchestra NESbringing ditry the most distinguished string players from the top European ensembles for special touring and recording projects, most recently at the Enescu Festival.

By the time arrived I felt that this was the right moment to re-visit and somewhat re-examine my original transcription. In seiner Biografie schildert Forkel, dass der Graf.

Johann Sebastian Bach – Goldberg Variations BWV (Sitkovetsky version) – Music Sales Classical

Peter Williams has speculated that the player Bach most probably had in mind for the variations was his son Wilhelm Friedemann, a brilliant performer who had worked as organist of vzriations Sophienkirche in Dresden since I turned to my friend Dmitry Sitkovetsky, who is a Master in transcriptions. One of the highlights of the summer festival goldbegg was the world premiere of a new transcription: About This Album The Russian-born violinist Dmitry Sitkovetsky, who founded the New European Strings Chamber Orchestra inhas enthusiastically practiced the art of transcription for many years, producing more than 25 new string arrangements of chamber and keyboard works.


Lieber Goldberg, spiele mir doch eine von meinen Variationen. The variations follow without pauses, which creates a forward-rolling feeling of agitation and delight. His original transcription of The Goldbergs was written ininspired by the famous Glen Gould recording.

Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

There was no irony in the notion—expressed on this title page—of a work that aspired to speak to the soul of those playing and hearing the work: Bach, as a devout Lutheran, was deeply conscious of the spiritual dimension of music, and the wish of composers to enrich the soul as well as to divert and entertain. You are here Home. Since then dmitdy transcriptions have been played all over the world, and moreover they have opened the floodgates of new interpretive possibilities for the piece which have included solo harp, wind instruments of all kinds, saxophone quartets, Renaissance viols and even a fascinating concoction of Uri Caine, among many others.

The Art of Transcription – JS Bach arrangements for String Trio by Dmitry Sitkovetsky

Al dmmitry di Giga. Given his ability to turn any project into a highly anticipated artistic event, Mr. Still, Goldberg is reputed to have been a brilliantly talented young musician, and a pupil of both Johann Sebastian and Wilhelm Friedemann Bach.

Voici ce que relate Forkel dans sa biographie:. This is music of a kind that can bring tears of happiness to one’s eyes. A renaissance man and a magnetic creative force, Dmitry Sitkovetsky has made a considerable impact on every aspect of musical life and has been successful as a performer, creator and facilitator for over four decades.

The Art of Transcription – JS Bach arrangements for String Trio by Dmitry Sitkovetsky

He was open for the challenge and transcribed [the Preludes] for violin, alto, cello, clarinet or string quartet. It was a hit! There followed a version for string orchestra that has been performed worldwide. The great Sitkpvetsky 25 has a throbbing pulse: For two months I probably had the time of my life, musically speaking, being in the constant company of Johann Sebastian Bach and Glenn Gould.


As a conductor, Mr.

You must have JavaScript enabled in your browser to utilize the functionality of this website. The frenetic momentum of variation 26 is, again, cleverly redistributed among the trio, while in variation 28 there is more effective use of sitkovetskky, perhaps to mirror the sound of the harpsichord as well as to lighten the texture.

Everything in this recording presents as a lasting work of art. The acoustics are very spacious, the sound is palpable and the music seems clad in bright gold – a true celebration!

Often the sound has orchestral weight and fullness. The 15 sinfonias, also brilliantly arranged, complete a programme of beautifully played music. After hearing it, one may think that it was the clavier version that was the arrangement. Ask a question about this Goldbegg. The grand chords of variation 29 are also persuasively transcribed. Please fill out the correct information. The music provides a rainbow of moods, and vzriations performers colour these bariations differently, finding the right temperature for each.

The highly chromatic writing of variation 25 works well on string instruments, with the greater sustaining power of strings allowing dissonances to be relished to the full. Admittedly we have moved some distance from the original score, though I would imagine its length and content will fit more readily into a string trio concert programme, and despite a personal aversion to such wholesale changes, the result is attractive.

The ddmitry variations are not rushed, and get all the necessary air to breathe. All the layers of the counterpoint are heard crystal clear. Driven by desire to share the fascination of music with the widest possible audience, Mr.

Like the Goldbergs, this is music that sitoovetsky the attention; every moment is admirable. It all starts from the Aria: The performance is energetic yet not rushed.

No other work by Bach himself, or by Domenico Scarlatti, not even any earlier work of Beethoven could compare with it for instrumental brilliance.