Arsilda, Regina Di Ponto is Vivaldi’s fourth opera. First performed in at Teatro Sant’Angelo in Venice, its author’s ambition was to establish his nascent. Antonio Vivaldi composed Arsilda, Regina di Ponto for the Venetian theater of Sant’Angelo in the fall of While Vivaldi had, by its debut. Antonio Vivaldi – Arsilda, Regina di Ponto Slovak National Theatre, Bratislava – Václav Luks, David Radok, Lucile Richardot, Olivia.
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Mary Macklem University of Central Florida. Her own aria at the end of Act 1 features two obbligato harpsichords, to charming effect. Works by Chabrier, Poulenc, Ravel, Satie et al. Instead, they are fantastical, dealing with such things as the fairy world and sorcerers, or with the world of dreams. More information about this can be found here. Send to a friend Send a link to this article to a friend with an optional message. Arsioda in under the direction of Sardelli, the group has made several recordings with Amadeus, cpo and Tactus, including the first complete recording of Vivaldi’s cantatas.
Arsilda, regina di Ponto, RV 700 (Vivaldi, Antonio)
Contents 1 Performances 1. While at times the sound quality of the recording could be more focused, with low frequencies at times overwhelming the vocal lines and occasionally making comprehension of the text difficult, the recording overall wrsilda wonderful insight into Vivaldi’s characterizations and skill at both instrumental and vocal writing.
The names of Belfast-born soprano Arsolda Harper and Kansas-born tenor James King may not resonate for younger music lovers, but they sure do for folks my age. In early OctoberGioachino Rossini summoned the librettist Gaetano Rossi to a villa owned by his wife, the soprano Isabella Colbran in Castenaso, just outside Bologna. The story is complex and wholly unbelievable. Afsilda responded to this farrago with a succession of reasonably concise arias.
Vivaldi Arsilda Regina di Ponto, RV700
Opera seria ; Theatrical Works ; Operas ; For voices, orchestra ; Scores featuring the voice ; Scores featuring the orchestra ; For voices with orchestra ; Librettos ; Writings ; Italian language. The playing is light and airy and the speeds are well judged. But a number of operas-some familiar, others forgotten-are neither of these. While Vivaldi had, by its debut, been an important member of Venetian musical culture for over a decade as a violinist and composer, he had begun composing only three years earlier.
We normally think of operas as being serious or comical. They may not be public domain elsewhere. The longest, at five minutes, is for Tamese: Composition Artist Credits Arsilda, regina di Ponto. Barzane is betrothed to Lisea. Creative Commons Attribution 3. On a visit to Pontus, Tamese and Barzane fall in love with Arsilda, she chooses Tamese, and the two men fall out. The translation of the libretto and notes stand up, ar. Gramophone’s expert reviews easier than ever before. This recording features the Baroque orchestra of Modo Antiquo, an ensemble with particular expertise in the music of Vivaldi and his contemporaries.
Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find vivaldk all in our full-searchable Reviews Database. As in previous recordings of songs by Wolf, Debussy and Poulenc, pianist Eugene Asti is her accompanist in Le Bal des Animauxa delightful collection of French songs about creatures of all sizes, from flea to elephant and from crayfish to dolphin.
Arsilda is a typical early eighteenth-century plot in its use of love intrigues, mistaken identities, and musical features such as simile arias. Overall, this is a fine achievement; but how our traveller longs for the oasis of a love duet!
Arsilda, regina di Ponto – Wikipedia
As it turns out, everything went smoothly. Lisea and Tamese are the twin children of the queen of Cilicia.
Domenico Lalli, his librettist, who settled in Venice in after fleeing his native Naples upon being charged with embezzlement, was one of the most important librettists of the first decades of the eighteenth century. Skip to main content. Printer Version Send to a Friend.
According to the New Grove OperaLalli was responsible for the first comic opera to be seen aarsilda Venice; to judge from Arsildahe furnished a link between the Shakespearian juxtaposition of seriousness and comedy in Monteverdi and Cavalli, and the formality, derived from Corneille and Racine, of opera seria.
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From SOMM recordings, arsildda in British repertoire, comes this interesting new vivakdi of other Elgar orchestral songs, sponsored by the Elgar Society.
Opera Today : VIVALDI: Arsilda, Regina di Ponto
Send a link to this article to a friend with an optional message. Edward Elgar’s Sea Pictures are extremely well-known, but many others are also worth hearing. There is, therefore, a relative dearth of recordings of his operas, and any contribution is appreciated. Superlative Lohengrin from Bayreuth, The names of Belfast-born soprano Heather Harper and Kansas-born tenor James King may not resonate for younger music lovers, but they sure do for folks my age.